Zack Snyder has a problem; he has too much love for his source material. As he proved with 300, he’s the fanboy’s director, someone who will try as faithfully as possible to recreate shot for shot the graphic novels he is filming. This, as it turns out, is the problem with his latest effort Watchmen, based on Alan Moore’s iconic graphic novel. As Snyder has tried to absorb the leviathan into his film, not without some success, and has created a massive geekgasm of a movie, one upon which much hope was placed, but that could not possibly ever succeed in its mission.
It’s an alternate 1985. Nixon has just been elected to a third term in the White House, nuclear war is pretty much a certainty and America triumphed in Vietnam, mainly thanks to the help of the godlike Dr. Manhattan and amoral nutball the Comedian. Crime prevention was the province of a group of masked superheroes, the aforementioned two, Silk Spectre, Nite Owl, super-brain Ozymandias and sociopath Rorschach. They, however, have now been outlawed and the Comedian has been murdered. Thus begins the movie, with Rorschach pursuing the murderers and the others trying to build some kind of life.
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